Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas The Man in the studio oil painting


The Man in the studio
mk128 151x112cm About 1868
Painting ID::  37710 		Edgar Degas
The Man in the studio
mk128 151x112cm About 1868
   
   
     
Edgar Degas Portrait oil painting


Portrait
mk128 43x36cm About 1862-1863
Painting ID::  37711 		Edgar Degas
Portrait
mk128 43x36cm About 1862-1863
   
   
     
Edgar Degas Act oil painting


Act
mk128 Oil on canvas 130x144cm About 1866-1868
Painting ID::  37712 		Edgar Degas
Act
mk128 Oil on canvas 130x144cm About 1866-1868
   
   
     
Edgar Degas Woman and chrysanthemum oil painting


Woman and chrysanthemum
mk128 74x92cm 1865
Painting ID::  37713 		Edgar Degas
Woman and chrysanthemum
mk128 74x92cm 1865
   
   
     
Edgar Degas The Lady play piano oil painting


The Lady play piano
mk128 Oil on canvas 39x32cm About 1869-1872
Painting ID::  37714 		Edgar Degas
The Lady play piano
mk128 Oil on canvas 39x32cm About 1869-1872
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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